Die Meistersinger von Nürnberg
| Eugen Jochum |
Chor und Orchester der Deutschen Oper Berlin |
Date/Location
March/April 1976
Jesus-Christus-Kirche Berlin |
|
Recording Type live | studio | live compilation | live and studio |
|
Cast
Hans Sachs | Dietrich Fischer-Dieskau |
Veit Pogner | Peter Lagger |
Kunz Vogelgesang | Peter Maus |
Konrad Nachtigall | Roberto Bañuelas |
Sixtus Beckmesser | Roland Hermann |
Fritz Kothner | Gerd Feldhoff |
Balthasar Zorn | Loren Driscoll |
Ulrich Eißlinger | Karl-Ernst Mercker |
Augustin Moser | Martin Vantin |
Hermann Ortel | Klaus Lang |
Hans Schwartz | Ivan Sardi |
Hans Foltz | Miromir Nikolic |
Walther von Stolzing | Plácido Domingo |
David | Horst R. Laubenthal |
Eva | Catarina Ligendza |
Magdalene | Christa Ludwig |
Ein Nachtwächter | Victor von Halem |
Reviews
super-conductor.blogspot.ch
With the Kubelik set completed (but releated to the vault) baritone Dietrich Fischer-Dieskau entered into negotiations with DGG to record Meistersinger, with himself as Sachs. This set finally appeared in 1976, with veteran conductor Eugene Jochum on the podium leading the Deutche Oper Berlin forces. The recording has some wonderful orchestral playing but is marred by weak choral singing and a series of acoustical tricks by the Tonmeister (the echoing, boomy church acoustic in the opening scene is the biggest culprit) that distract the listener.
As for the cast, Fischer-Dieskau, better known for his achievements in lieder and art song, made some memorable Wagner recordings. This is one of his better ones. His Sachis is warm and resonant if a little fussy. Domingo is at sea here, struggling with the unfamilar German diction. Catarina ligendza is a disaster as Eva. However, charming orchestral playing, intelligent interpretation and the magnificent David of Roland Herman are all redeeming factors.
Paul J. Pelkonen
Rating
(6/10)
Technical Specifications
611 kbit/s VBR, 44.1 kHz, 1.09 GByte (flac)